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Camera Archives - Gsol
Mirrorless Cameras

Mirrorless Cameras

From bargains for beginners to pro-grade powerhouses, here are the best mirrorless cameras of the moment.

Mirrorless cameras have done much to change the idea that a small camera can’t be a powerful one, and it’s in this sector that we’re typically seeing many developments surfacing first

Since Photokina we’ve seen the mirrorless market explode, with the likes of Nikon and Canon coming into the fray, and Fujifilm launching a fantastic upgrade to its X-T range. Below are some fantastic snappers – whether it’s the best full frame mirrorless camera you’re looking for or a cheap mirrorless camera bargain, this guide it here to help.

And the good news? We’re seeing hundreds of Black Friday cameras deals and Cyber Monday camera deals right now. Our price comparison tool will pull in the very best offers below, so you can rest assured you’re getting the cheapest possible mirrorless camera prices. 

 So which are the best mirrorless cameras right now? The fact that there are so many manufacturers involved means that variety is great, from selfie-friendly mirrorless cameras you can get into a pocket to models that can handle super-fast burst shooting and pro-level video recording.

The following list rounds up some of the finest options on the market, taking innovation, performance and value for money into account. Whether you just need something portable for casual use, or something that can rival the best DSLRs around, read on to find the best mirrorless camera for your needs.

1. Fujifilm X-T3 review

For its price, this is the best full-frame camera around right now

Type: Mirrorless | Sensor: APS-C | Megapixels: 26.1MP | Monitor: EVF, 3,690k dots, 100% coverage | Continuous shooting speed: 11fps | Viewfinder: EVF | Max video resolution: 4K | User level: Enthusiast

26.1 megapixel sensor
4K video at 60fps
Lacking in-body stabilisation
Needs a bigger buffer.
The Fujifilm X-T3 is and excellent camera and one we found very difficult to criticise in any way. So anything negative said about it in our five-star review, was really scraping the barrel. Okay, we would have loved a bigger buffer depth and some in-body stabilisation. But, at this price and the functionality there is simply no camera like it around at the moment. What you get is a superb 26.1MP sensor, 4K shooting capabilities and a fast burst mode. One of the best things about the camera for us is that it feels like you are shooting on an old-school DSLR with all the benefits of cutting-edge camera technology. 

2. Nikon Z7

A superb (and superbly made) mirrorless camera.

Type: Mirrorless | Sensor: Full frame CMOS | Megapixels: 45.7MP | Monitor: EVF, 3,690k dots, 100% coverage | Continuous shooting speed: 9fps | Viewfinder: EVF | Max video resolution: 4K UHD at 30p | User level: Enthusiast.

Great handling
Superb electric viewfinder
Pricey lenses
Single XQD card slot

Although the Nikon Z7 didn’t quite get the coveted five stars (it scored 4.5), it did score full fives for features, build & handling and performance. The Nikon Z7 is an instant classic. It’s a superb (and superbly made) mirrorless camera, boasting a massive 45.7MP full frame CMOS, 493-point hybrid phase/contrast autofocus, 4K UHD at 30p and in-camera image stabilisation system (IBIS).  Interestingly, the Z7 is a lot like its chief mirrorless rival, the Sony A7 series, in looks and is much smaller than the Nikon D850, the DSLR whose technology it largely shares. If it wasn’t for the pricey lenses and the fact there won’t be a huge amount of them around for a while, this would be a five-star mirrorless camera.

 

3. Canon EOS R

A fantastic mirrorless camera with one or two niggles.

Type: Mirrorless | Sensor: Full frame CMOS | Megapixels: 30.3MP | Monitor: EVF, 3.69m dots, 100% coverage | Continuous shooting speed: 8fps | Viewfinder: EVF | Max video resolution: 4K UHD at 29.97p | User level: Enthusiast/professional.

Great cusomisation
Dual Pixel AF
No in-body image stabilisation
Cropped 4K video

Canon has bucked the trend of having separate pro and enthusiast bodies – it is instead pitching the EOS R squarely in the middle. And that’s no bad thing. The Canon EOS R offers a full-frame 30.3MP CMOS sensor, which is on the same level as the EOS 5D Mark IV DSLR. The two sensors share a lot but the biggest difference is that the EOS R features a phase-difference detection system with the 1D X Mark II’s Dual Pixel CMOS AF, This equates to a simply brilliant 5,655 focus positions. The Canon EOS R is a great mirrorless camera but there are one or two niggles. Its cropped 4K and lack of in-body image stabilisation means it doesn’t quite hit top marks.

 

 

4. Sony Alpha A7 III

A junior full-frame option that’s a superb camera.

Type: Mirrorless | Sensor: Exmor R CMOS | Megapixels: 24.2MP | Monitor: XGA OLED type, 2,359,296 dots | Continuous shooting speed: 10fps | Viewfinder: 3in tilting touchscreen, 921,600 dots | Max video resolution: 4K UHD at 30/24fps | User level: Enthusiast/Beginner

Superbly sophisticated AF system
4K video
Burst mode is just okay
Doesn’t win the MP battle

The A7 III doesn’t really put a foot wrong. Its specs actually belittle its price – you are getting a huge amount of camera prowess here for what is a decent price. Granted, its handling and control layout aren’t the best we have ever tried but its autofocus and continuous shooting performance, not to mention its 4K video capabilities are second to none. Okay, there is that 24MP resolution might put a few people off, given we have been spoiled with higher megapixel alternatives but pixels aren’t everything and this camera is a fantastic mix of performance, image quality and price.

 

5. Panasonic Lumix G9

A high-speed, high-end mirrorless camera that’s packed with quality

Type: Mirrorless | Sensor: Micro Four Thirds sensor | Megapixels: 20.3MP | Monitor: EVF, 3.68m dots and 1.66x magnification | Continuous shooting speed: 60fps | Viewfinder: Illuminated top-plate LCD screen | Max video resolution: 4K | User level: Enthusiast

4K UHD video
20/60fps continuous shooting
Battery life isn’t the best
Burst mode could be better

The Panasonic G9 is a brilliantly fast and effective camera that is great for both 4K video and things like fast-action sports and wildlife photography. It’s great in the hand, which means that it offers up a good grip, especially when it is equipped with longer lenses. Its image quality is very good and this is despite it having a smaller MFT sensor. The only issue for us is that when it comes to shooting regular static subjects, there are plenty of rivals that deliver the same quality for not as much money.

6. Sony A6000

Great for when the action presents itself – but a capable all-rounder too

Type: Mirrorless | Sensor: APS-C | Megapixels: 24.3MP | Lens mount: Sony E | Monitor: 3-inch tilting, 921,600 dots | Continuous shooting speed: 11fps | Viewfinder: Electronic | Max video resolution: 1080p | User level: Beginner/enthusiast

Superb AF system
11fps burst shooting with C-AF
Video not 4K
No touchscreen

It may have been launched well over three years ago, and has been updated by the A6300 and A6500 since then, but the significantly cheaper A6000 represents an excellent entry-point into the world of mirrorless photography. With a very capable autofocus system that blends 179 phase-detect AF points and 25 contrast-detect points, together with 11fps burst shooting with focus tracking, the camera is a particularly fine option for anyone shooting action, although the 24MP APS-C sensor, high-resolution OLED viewfinder, tilting LCD screen – sadly without touch functionality – and both Wi-Fi and NFC means that it holds masses of appeal for those shooting in other genres. The fact that it’s not quite the newest camera makes it excellent value for money too.  

 

 

7. Olympus OM-D E-M10 Mark III

The newest OM-D model gains flagship processing power and 4K video

Type: Mirrorless | Sensor: Micro Four Thirds | Megapixels: 16.1MP | Lens mount: Micro Four Thirds | Screen: 3-inch tilting touchscreen, 1,037,000 dots | Viewfinder: Electronic | Max burst speed: 8.6fps | Max video resolution: 4K | User level: Beginner/enthusiast

4K video recording
Great image stabilisation
16.1MP beaten by competition
Not a huge change from Mark II

The O-MD E-M10 Mark III very much deserves its maximum score. With a similar handsome form as its forebears but a better processing engine, 4K video and a superior autofocus system on the inside, the camera is a much fitter rival to the likes of the Fujifilm X-T20 and Panasonic Lumix G80, although it still maintains so much that we loved from the Mark II version, such as the five-axis image stabilisation system and the partnership of the 2.36million dot OLED viewfinder and tilting LCD. The only mark against it is that its 16.1MP sensor isn’t quite the latest generation, but this isn’t a significant issue for most people. And, of course, as a Micro Four Thirds model, the camera provides access to a raft of lenses from both Olympus and Panasonic, as well as many further capable option from the likes of Samyang, Sigma and even Voigtländer.

 

8. Fujifilm X-T20 mirrorless camera

Plenty of X-T2-level specs at a keener price

Type: Mirrorless | Sensor: APS-C | Megapixels: 24.3MP | Lens mount: Fuji X | Screen: 3-inch tilting touchscreen, 1,040,000 dots | Viewfinder: Electronic | Continuous shooting speed: 8fps | Max video resolution: 4K | User level: Enthusiast

Excellent viewfinder
4K video recording
Only one card slot
Minor ergonomic issues

Fujifilm delivered far more than we expected with the X-T20, with much of the same tech as the co-flagship X-T2 inside a smaller and more affordable body. With a 24.3MP X-Trans CMOS III sensor, 4K video recording, 325 autofocus points and an 8fps burst shooting option, the camera is as capable on the inside as it is elegant on the outside. It’s also compatible with a vast array of high-quality prime and zoom lenses, and many of these offer their own aperture rings, which sit as a perfect complement to the physical dials for shutter speed and exposure compensation on the body. All of this is strengthened by customisable controls and touchscreen operation, as well as Wi-Fi for remote control. Overall, one of the best mid-range options we’ve seen yet, and a very welcome addition to a series that’s become popular for good reason.

 

 

9. Fujifilm X-H1 mirrorless camera

A tried-and-tested sensor, masses of video options and superb handling, the X-H1 is a winner

Type: Mirrorless | Sensor: APS-C | Megapixels: 24.3MP | Lens mount: Fuji X | Screen: 3-inch vari-angle touchscreen, 1,040,000 dots | Viewfinder: Electronic | Continuous shooting speed: 8fps (up to 14fps) | Max video resolution: 4K | User level: Enthusiast/professional

Body-based image stabilisation
Excellent handling
A little pricey for an APS-C model
Bulky

It’s difficult to know where to start with the X-H1; there’s lots to love. On top of everything that made the X-T2 a winner – from its 24.3MP X-Trans CMOS III sensor and expansive AF options through to its three-axis LCD and multitude of physical controls – Fujifilm has ramped up the feature set to include body-based image stabilisation, a huge top-plate LCD and an even wider selection of options for videographers than before, including both DCI 4K and UHD 4K options. The combination of the sensor and previously seen X-Processor Pro translate to very reliable image quality, with speedy autofocus and a clear OLED viewfinder to make the user experience as good as it can be. That image stabilisation and substantial grip do make for a slightly bulkier body than the X-T2, but if you use longer or heavier lenses you may well welcome this.

 

10. Sony A9 mirrorless camera

Possibly the most exciting camera we’ve seen yet from Sony

Type: Mirrorless | Sensor: Full frame | Megapixels: 24.2MP | Lens mount: Sony E | Screen: 3-inch tilting touchscreen, 1,440,000 dots | Viewfinder: Electronic | Max burst speed: 20fps | Max video resolution: 4K | User level: Professional

20fps at 24MP is remarkable
Fast and effective AF
Not exactly cheap
Lens range not as wide as DSLR rivals’

Ok, so the Sony A9 is admittedly a camera that only a handful of people will likely ever adopt for their own shooting, and those that do will have to part with the best part of £5000 for the body alone. It is, however, one of the most exciting mirrorless models we’ve seen in recent times, and its advantages over equivalent DSLRs arguably make it far better value for money. Taking the form of the company’s A7 lines as a starting point, it houses a 24.2MP full-frame sensor and a 693-point phase-detect AF system that covers around 93% of the frame, together with blackout-free shooting from the electronic viewfinder when shooting at up to 20fps and even 4K video to boot.

 

Canon 80D Review

Canon 80D Review

TODO alt textEISA Awards 2016

Specifications

f1_8-2_8

Produce great quality photos that are packed with fine detail.

1.0 type CMOS icon

Powerful DIGIC processing for responsive performance and accurate colours.

DIGIC 7

Capture all of the action with a maximum 7fps shooting rate

Full HD 60p

Focus on and track your subjects wherever they are in your frame

vari-angle_KF

Shoot from high and low angles.

EOS_movie_KF

Capture movies at up to 1080p resolution and 60fps frame rate.

Dual Pixel AF

Enjoy smooth continuous focusing when shooting movies and photos in Live View mode.

Wi-Fi NFC

Easily connect and share

inteligent viewfinder

See shooting and focus information overlaid over your subject as you shoot

Whats in the box.

OUR VERDICT

Canon has created an excellent camera that makes a worthwhile upgrade from the 70D. It’s well-built with sensibly arranged controls, has good ergonomics and an extensive feature set, and can be set up to suit your shooting style. Most importantly, the image quality is superb with lots of details.

The EOS 80D from Canon is intended for dedicated enthusiast photographers, a demanding group of people who want to be able to shoot a huge range of subjects in a variety of conditions. The camera features a new 24-million-pixel sensor along with a DIGIC 6 processing engine; a combination that brings a native sensitivity range of ISO 100-16,000 – a full one-stop higher than the 70D – which you can expand to ISO 25,600 (the same as the 70D).

The maximum continuous shooting rate is the same as the 70D’s at 7fps, but the burst depth has been increased to 110 JPEGs or 25 raw files when a UHS-1 SD card is used. That’s a significant step up from the 65 JPEG or 16 raw files possible with the 70D. 

 

Modern DSLRs have two autofocus systems: one for when using the camera conventionally (in reflex mode), where images are composed in the viewfinder; and a second for use in Live View and video mode. 

Canon has improved both of these systems for the 80D in comparison with the 70D. The reflex mode system, for instance, has 45 AF points, all of which are cross-type, whereas the 70D has 19 points. 

It can also use colour information from the 7,560-pixel RGB+IR (infrared) metering sensor to help with subject tracking. This and the increased burst depth makes the 80D more attractive to keen sport and action photographers.

Turning to the Live View and video autofocus system, the 80D uses Dual Pixel CMOS AF technology like the 70D, which means it has phase detection points on the imaging sensor itself. The new system is more sensitive and faster than the one in the 70D, but because fast autofocusing often isn’t desirable when you’re shooting video, it’s possible to vary the speed of the 80D’s system over seven steps for slower focus changes.

Build and Handeling

Canon gives touch-control over both the main and Quick Menus, and it can really speed up use. The Quick Menu is very useful, providing a speedy route to some of the most commonly used features. It would be nice, however, if this was customisable so that it only contained the features you use on a frequent basis.

Although the 80D’s screen is very good, the viewfinder is still the more natural option for most photographers to use when shooting stills, especially if the subject is moving. This also provides a bright view – and unlike the 70D’s viewfinder, which only covers 98% of the lens field of view, the 80D’s covers 100%. That means there are fewer surprises around the edge of the frame when you review your shots.

In an update on the 70D, it’s possible to select the Creative Filter mode via the 80D’s mode dial. When this is selected, one of 10 filter effects can be applied to JPEG images as they are shot. If you’re shooting raw files or raw+JPEG files, the camera switches automatically to shooting just JPEGs. Although it’s possible to use Creative Filters when composing images in the viewfinder, their impact can only be previewed on the main screen in Live View mode.

 GALLARY

 

  The Competition

Nikon D7200

Like the K-3 II, this SLR’s 24MP sensor lacks an optical low-pass filter, which helps it resolve a higher than average amount of detail.

 

Pentax K-3 II

Pixel Shift Technology helps reduce noise from this 24MP SLR, but its impact isn’t obvious with most shots at normal viewing sizes.

Sony A77 II

This 24MP SLT has an electronic viewfinder, along with an AF system that’s fast and accurate even in low light.

 

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